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The moral and ethic issues in the play tamburlaine by christopher marlowe

The Influence of the Morality Play on Marlowe's "Doctor Faustus"

Morality play as a literary genre 2. The role of the allegorical figures in Dr. The moral in Dr.

  • In his poem on Shakespeare, Jonson mentions "Marlowe's mighty line," a phrase critics have accepted as just, as they have also Jonson's claim that Shakespeare surpassed it;
  • Although he promises Cosroe the Persian throne, Tamburlaine reneges on this promise and, after defeating Mycetes, takes personal control of the Persian Empire;
  • O, gentlemen, I gave them my soul for my cunning.

Faustus was published in 1592 and appears to be an example of a Renaissance tragedy. Faustus owes a lot to the medieval dramatic tradition, to be precise, to the morality play tradition. In my paper I see Dr.

Faustus as a Renaissance tragedy which was to a certain degree influenced by the medieval dramatic tradition and has some characteristic features of the morality play. Proceeding on this assumption, I am going to concentrate on the play, pursuing three following issues: Faustus - to point out the features which lead me to interpret it as a Renaissance tragedy - to describe the purpose of the morality play structure in Dr.

Marlowe’s Use of Morality Play formula in Doctor Faustus

Then I will concentrate on the differences and similarities between Dr. Faustus and the morality play on structural and thematic levels. In the last chapter of the paper I will focus on the issue of the function of the morality play structure in Dr. In conclusion I will summarize my arguments which support the thesis that the play should rather be seen as tragedy than as a morality play.

However, it requires some additional explanations. The main hero of the morality play is not an individual character. He usually has a name which just distinguishes him from the other characters in the play, like Everyman or Mankind.

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But it is not a personal name. The reader usually knows nothing about his origin or social background, about his habits or character.

The only thing is obvious: The main hero must confront different forces which are represented by allegorical figures. The allegorical figures stand for different moral issues.

Typically, the main hero lives in innocence and is led into temptation by some evil forces, while some forces of good try to turn him to the godly path. This struggle leads to the fall of the hero. The repentance of the hero is an important aspect of the morality play.

The moral and ethic issues in the play tamburlaine by christopher marlowe

The scene, where the hero shows that he is sorry for his wrong behaviour, is an essential part of the action. Typically the hero is redeemed and forgiven by God or other forces of good. Another important aspect of the morality plot is the presence of comic elements in the plot.

Possibly they were supposed to foreshadow events to come or cover passages of time. They also could be imagined to be a parody of the main plot. The morality play was supposed to have a moral conclusion, related to the accepted rules of good and bad behaviour of that time.

  • Again, through the incident, the audience is warned to steer clear of Lust, one of the cardinal sins;
  • A member of the School of Night, along with Sir Walter Raleigh and the mathematician John Dee, Marlowe was also suspected of homosexuality and atheism, and was actually picked up and questioned about the latter just days before his death in a barroom brawl--which itself has led to speculation about assassination--in 1593;
  • This I will keep as chary as my life;
  • Christopher marlowe this may have left a deep impact on marlowe and influenced his thoughts about religious issues marlowe in 1587, his second play;
  • There are no precise arguments in favour of this view in the text.

The aim of the play was to teach some kind of a moral lesson e. Faustus Marlowe follows the typical pattern of the morality play most noticeably in the characters he uses: For example Good and Bad Angels can be seen as morality play characters. They clearly represent the force of good, which try to turn Faustus to repentance, and the force of evil, which lead them into damnation.

The function of Good and Bad Angels is restricted to uttering a short pro — contra argument. Then they disappear again. There are no precise arguments in favour of this view in the text.

The moral and ethic issues in the play tamburlaine by christopher marlowe

The Literature of the pre-Renaissance England, in: Introducing Literary Studies, ed. Textbook Company, 1991, p.

  • What is the relationship between the issues in this play and 20th century issues like splitting the atom and genetic cloning;
  • The only thing is obvious:

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