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Destinations of desire review of a streetcar named desire

This is a strangely beautiful journey into the violent excesses of desire.

  • Home legit reviews may 16, 2004 2;
  • Flashbacks to Blanches aristocratic life at Belle Reve occur with the fine music of Francis Poulenc, while Cesar Francks Sonata for Piano and Violin is chosen for the journey into Blanches emotional world.

The action is set in New Orleans in the summer of 1947. She has to travel a street car named Desire to reach her destination, the apartment of her sister Stella Melissa Tattam and her husband Stanley Kowalski Keian Langdon.

  1. A streetcar named desire sutton arts theatre blanche dubois is a dream part for any actress and emily armstrong turns in a dream performance as the fragile, insecure, aging southern belle she is simply superb, well worth the ticket price alone, not that she is the only actor or reason for seeing.
  2. As its title indicates, a streetcar named desire explores the destinations to which desire leads in following their respective desires, blanche and stanley end up in very different places blanche is the victim of a culture that has unhealthily repressed its connection to primal and natural urges blanche's culture also forbids. Keian Langdon brings an earthiness and vitality to the role which he dances with genuine menace.
  3. Keian Langdon brings an earthiness and vitality to the role which he dances with genuine menace. The pervading ooze of the river is carried as stench on steam from gutters, and rises like gleet from tepid, muddy, downpour puddles rickety wooden shutters creak from wooden-laced, second-floor galleries above clunky boardwalks the soundscape crossfades as you walk bourbon street, from a corner.
  4. This is a drama about a woman destroyed by her immersion in a changed social order. The dynamics amongst the leading characters have the audience on a knife edge.
  5. It has special poignancy now in this time of uncertainty as the global financial crisis marks the end of an old order and heralds a new, changed order.

This violent, passionate role was made famous by Marlon Brando on stage and film. Keian Langdon brings an earthiness and vitality to the role which he dances with genuine menace.

This is a drama about a woman destroyed by her immersion in a changed social order. It has special poignancy now in this time of uncertainty as the global financial crisis marks the end of an old order and heralds a new, changed order.

The shifting moods of the drama are reflected in the music played with gusto by X-Collective, a cabaret ensemble of the Queensland orchestra under the direction of Craig Allister Young.

A Streetcar Named Desire

Flashbacks to Blanches aristocratic life at Belle Reve occur with the fine music of Francis Poulenc, while Cesar Francks Sonata for Piano and Violin is chosen for the journey into Blanches emotional world. The music is simply terrific. The dynamics amongst the leading characters have the audience on a knife edge. Blanches sister Stella, danced empathetically by Melissa Tattam, is the victim of domestic violence yet remains passionately attached to her brutal husband Stanley.

Clare Morehen skilfully expresses the decline and fall of Blanche, culminating in her rape, mental illness and removal to an asylum. This descent is made all the sadder through the love interest of the character Mitch, danced intelligently by Nathan Scicluna.

Destinations of desire review of a streetcar named desire

Flashbacks can be hard to manage on stage but they worked successfully in this production, thanks to the artfulness of set designer Graham MacLean, costume designer Noelene Hill and lighting designer David Walters. The contrast between the light, colour and natural surrounds of the Belle Reve flashbacks and the dun urban environment splashed with garish neon signs highlighted the tragedies which attend upon changing social orders.

The corps de ballet provided a rich context to the action as Blanches Shadows, Southern belles and Southern beaux.

  1. They told me to take a street car named Desire, then transfer to one called Cemeteries and ride six blocks and get off Elysian Fields!.
  2. Desire, Buddha said, is the cause of human unhappiness. This violent, passionate role was made famous by Marlon Brando on stage and film.
  3. Tennessee williams's great play has attracted some fine lead performances over the past decade gillian anderson, maxine peake and rachel weisz are among those who have shredded their nerves as the superannuated southern belle blanche dubois yet in her lower-key way, the relatively unknown.
  4. As its title indicates, a streetcar named desire explores the destinations to which desire leads in following their respective desires, blanche and stanley end up in very different places blanche is the victim of a culture that has unhealthily repressed its connection to primal and natural urges blanche's culture also forbids. The pervading ooze of the river is carried as stench on steam from gutters, and rises like gleet from tepid, muddy, downpour puddles rickety wooden shutters creak from wooden-laced, second-floor galleries above clunky boardwalks the soundscape crossfades as you walk bourbon street, from a corner.

They told me to take a street car named Desire, then transfer to one called Cemeteries and ride six blocks and get off Elysian Fields!. Desire, Buddha said, is the cause of human unhappiness.

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Amidst the sex, violence and jazz of post-war New Orleans it proved so for Blanche. Choreography by Francois Klaus.

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