College papers academic writing service


An overview of the story earthly couplets

Edna Pickett's sophomore English class, circa 1962, poetry became my passion. The spelling, "rhyme," was introduced into English by Dr. Samuel Johnson through an etymological error. For my explanation for using only the original form, please see " Rime vs Rhyme: The speaker is enthralled by the transition from daylight appearance to nightlight appearance.

The sun shows us all one scenario, while the moon reveals quite another. Silver Slowly, silently, now the moon Walks the night in her silver shoon; This way, and that, she peers, and sees Silver fruit upon silver trees; One by one the casements catch Her beams beneath the silvery thatch; Couched in his kennel, like a log, With paws of silver sleeps the dog; From their shadowy cote the white breasts peep Of doves in a silver-feathered sleep; A harvest mouse goes scampering by, With silver claws, and silver eye; And moveless fish in the water gleam, By silver reeds in a silver stream.

  • Who has not walked at night and observed the beauty of the transformed landscape from sunlight to moonlight?
  • This poem is ironical in the sense that it is not about greatness but it is about weakness;
  • Silvery Sleep From their shadowy cote the white breasts peep Of doves in a silver-feathered sleep; Nature offers many scenes for observation;
  • Their home was noted for hosting lively parties that featured games such as charades;
  • And the devotion that she felt for that form was clear and moving;
  • Colors are gone, fine definitions are gone, but what is left is a new experience of beauty that entices the observer with new, fascinating perceptions.

Reading of "Silver" Commentary During daylight hours, sunlight reveals the creatures and things of the earth in its golden light that reveals many varied colors, while during the nighttime hours, moonlight offers a very different experience of seeing everything through the lens of silver.

The Moon Informs the Night Slowly, silently, now the moon Walks the night in her silver shoon; The speaker begins by setting the scene of the moon slowly moving in silence upon the landscape.

Introduction and Text of "Silver"

That moon is transforming the land in ways that one might not expect. In sunlight, the creatures of earth have come to expect the ability to see all things in a certain way, but in moonlight all is changed, all is so very delightfully different. Instead of merely revealing the daylight consciousness experience of earthly creatures, the moon reveals a whole different scenario. The speaker portrays that difference by alerting the poem's audience that the moon is "walk[ing] the night," wearing "silver shoon.

And those who have observed the stillness of nighttime with the moon shining searchingly, will attest to the serenity garnered from that quiet time of day: The Moon Walking and Observing This way, and that, she peers, and sees Silver fruit upon silver trees; The moonlight permeates the landscape during her walk. This metaphoric moon person "peers and sees. This moon sees trees with fruit. Who has not walked at night and observed the beauty of the transformed landscape from sunlight to moonlight?

An overview of the story earthly couplets

Colors are gone, fine definitions are gone, but what is left is a new experience of beauty that entices the observer with new, fascinating perceptions.

Because the poet has seen fit to capture that experience, his fellow earth inhabitants are now capable of experiencing it also. In the speaker's crystalline snapshot of his night walk in the silvery moonlight, he is creating a scene of beauty and stillness that complements the sun's golden featuring of day. All Bathed in Silver One by one the casements catch Her beams beneath the silvery thatch; The speaker then observes that the whole vantage point of his capability is bathed in silver.

An overview of the story earthly couplets

The windows of every cottage he has privilege to view are also bathed in that marvelous silver. The thatched roofs are flowing with silver. Everything is swimming in this mercurial silver. But far from poisoning anything as the actual metal will do, this silver enlivens, enhances the beauty of the nighttime landscape. Most human eyes have become habituated to the fact that sunlight on a flower creates a wondrous spectacle of beauty; quite likely, far fewer would realize that the moonlight turning that same flower into a spectacle in silver could also offer an example of beauty.

This speaker's unveiling his experience allows the reader to engage those hidden memories. So much so that most Americans will not likely identify with "couched in a kennel," because it is more likely that their dogs will be couched in their indoor beds not far from the beds of their human companions. Yet, earlier history had people keeping their dogs outside in the dog houses or "kennels. Silvery Sleep From their shadowy cote the white breasts peep Of doves in a silver-feathered sleep; Nature offers many scenes for observation.

The speaker then notes that even the doves can be seen in the silver of the moonlight. The breasts of the doves are "peep[ing] out from their shadowy cote.

Equal Opportunity in Silver A harvest mouse goes scampering by, With silver claws, and silver eye; The speaker then observes a harvest mouse. The mouse goes "scampering by. The silvering of the moon offers equal opportunity: Silver become an overview of the story earthly couplets only descriptor of things as they parade through the moonlight.

Thus, rinsed by silver moonlight, even the tiny harvest mouse becomes an important player in the scenario of the silver moonlight play.

Walter de la Mare’s Silver

Those silver "shoon" splash far and wide. Having lived with fish in bodies of water in rivers, creeks, and lakes, I can attest to the silvering of fish in streams in moonlight. They do, in fact, "gleam" with the silver of the moonlight. They do, in fact, take their existence among the "reeds," as they swish through the waters, with the goal of continued existence, their way of glorifying their Creator in any way they can, at their evolutionary stage of existence.

This speaker has marvelously captured the wonderful silvering of things as they appear in the nighttime blessed with moon light upon them. As the moon has walked the night, she has invited those who have also observed such a scene to remember not the absence of golden light, but the intense presence of silver. Night with a big moon paints beauty as it silvers each object and enhances its stillness in loveliness. It was in Mrs. Edna Pickett's sophomore English class that we read and studied this poem.

Pickett was a devout Shakespeare scholar, and she had soft spot in her heart for all poetry. As she explained the nature of poetry, she defined that form as a "crystallization" of thought. And the devotion that she felt for that form was clear and moving. From that point on, I have felt that I too possessed a motivating kinship with the form, and that relationship has grown deeper and broader over the years, since 1962, when I first studied literature in Mrs.

On the Vanity of Earthly Greatness

He disliked the name "Walter"; he preferred to be called "Jack," the nickname for an overview of the story earthly couplets middle name. Walter's mother, Lucy, was a Scot, and on his father's side the family descended from the French Huguenots.

Walter later started using the original French spelling of his family name, "de la Mare," which he deemed more poetic. Education and Work After his education at St. Publishing De la Mare began publishing his writings in 1895 with his first short story, "Kismet.

In 1904, he dropped the pen-name and published his first novel Henry Brocken under his own name. In 1906, he published a collection simply titled, Poems. From this point on, he published poetry, short stories, novels, or essays virtually every year. One of de la Mare's most successful collections of poetry is The Listeners, which features the eerie title poem, "The Listeners," a work that has gathered a cult-like following.

The famous novelist and poet, Thomas Hardy, said about this poem, "'The Listeners' is possibly the finest poem of the century. Ingpen was ten years de la Mare's senior, but the two fell in love and married in August 1899.

The couple produced four offspring: Richard, Colin, Florence, and Lucy. The family resided first in Beckenham and then Anerley until 1924. Their home was noted for hosting lively parties that featured games such as charades. Elrida was diagnosed with Parkinson's disease in 1940. For the next three years, Mrs. De la Mare then relocated to Twickenham, where he spent the rest of his life. De la Mare's Death After his wife's passing, de la Mare continued to publish and edit his works.

He began to suffer from a heart condition in 1947. His last year of life found him bed-ridden. He received constant care from a nurse with whom had a close, affectionate relationship. He died on June 22, 1956. His ashes rest in a crypt at St. Paul's Cathedral, where the poet once served as a choirboy. For more information about this poet, please the official site of the Walter de la Mare Society.