College papers academic writing service


Term papers naturalism and realism in literature

Definitions Broadly defined as "the faithful representation of reality" or "verisimilitude," realism is a literary technique practiced by many schools of writing. Although strictly speaking, realism is a technique, it also denotes a particular kind of subject matter, especially the representation of middle-class life.

A reaction against romanticism, an interest in scientific method, the systematizing of the study of documentary history, and the influence of rational philosophy all affected the rise of realism.

Many critics have suggested that there is no clear distinction between realism and its related late nineteenth-century movement, naturalism.

  • The essay focuses on aspects of naturalist novels—their use of hyperbole and hysteria, of the grotesque and the abject, of uncanniness and mesmerism—that have often been left in the periphery of naturalist discourse;
  • Pizer suggests that "whatever was being produced in fiction during the 1870s and 1880s that was new, interesting, and roughly similar in a number of ways can be designated as realism, and that an equally new, interesting, and roughly similar body of writing produced at the turn of the century can be designated as naturalism" 5.

Howells to London, the term "realism" is difficult to define, in part because it is used differently in European contexts than in American literature. Pizer suggests that "whatever was being produced in fiction during the 1870s and 1880s that was new, interesting, and roughly similar in a number of ways can be designated as realism, and that an equally new, interesting, and roughly similar body of writing produced at the turn of the century can be designated as naturalism" 5.

American Literary Realism, Naturalism, and Modernism

Put rather too simplistically, one rough distinction made by critics is that realism espousing a deterministic philosophy and focusing on the lower classes is considered naturalism. In American literature, the term "realism" encompasses the period of time from the Civil War to the turn of the century during which William Dean Howells, Rebecca Harding Davis, Henry James, Mark Twain, and others wrote fiction devoted to accurate representation and an exploration of American lives in various contexts.

As the United States grew rapidly after the Civil War, the increasing rates of democracy and literacy, the rapid growth in industrialism and urbanization, an expanding population base due to immigration, and a relative rise in middle-class affluence provided a fertile literary environment for readers interested in understanding these rapid shifts in culture. In drawing attention to this connection, Amy Kaplan has called realism a "strategy for imagining and managing the threats of social change" Social Construction of American Realism ix.

Realism was a movement that encompassed the entire country, or at least the Midwest and South, although many of the writers and critics associated with realism notably W.

  1. Among the Midwestern writers considered realists would be Joseph Kirkland, E.
  2. The realism of James and Twain was critically acclaimed in twentieth century; Howellsian realism fell into disfavor as part of early twentieth century rebellion against the "genteel tradition.
  3. The essay focuses on aspects of...
  4. The Urban Sublime in American Literary Naturalism This reappraisal of American literary naturalism connects late-nineteenth and early-twentieth-century fiction to its romantic, urban gothic roots and to discussions of the sublime in postmodern theory.

Howells were based in New England. Among the Midwestern writers considered realists would be Joseph Kirkland, E.

Selective presentation of reality with an emphasis on verisimilitude, even at the expense of a well-made plot Character is more important than action and plot; complex ethical choices are often the subject.

Characters appear in their real complexity of temperament and motive; they are in explicable relation to nature, to each other, to their social class, to their own past. Class is important; the novel has traditionally served the interests and aspirations of an insurgent middle class. Realistic novels avoid the sensational, dramatic elements of naturalistic novels and romances. Diction is natural vernacular, not heightened or poetic; tone may be comic, satiric, or matter-of-fact.

Objectivity in presentation becomes increasingly important: Interior or psychological realism a variant form. In Black and White Strangers, Kenneth Warren suggests that a basic difference between realism and sentimentalism is that in realism, "the redemption of the individual lay within the social world," but in sentimental fiction, "the redemption of the social world lay with the individual" 75-76.

The realism of James and Twain was critically acclaimed in twentieth century; Howellsian realism fell into disfavor as part of early twentieth century rebellion against the "genteel tradition.